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United Kingdom
Painting, Gouache on Wood
Size: 37.4 W x 37.4 H x 2 D in
Ships in a Crate
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This painting is made by collaborating artists, Sara Dudman RWA and Debbie Locke RWA. They work in layers to explore the interface between machine and hand-made marks, whilst attempting to capture and represent the complex and interdependent working relationship between a sheep-farmer, his dog and his sheep. By using innovative technology, including webcams and GPS, combined with more traditional mediums, painterly gestures are interwoven with precise, machine-made lines, to simultaneously reveal and obliterate the depicted movements of the sheep. Though, seemingly chaotic, there is order within these turbulent scenes – patterns emerge, linking the whereabouts of the flock to the activity of the farmer and the dog. This continuous dialogue between visual coherence and the conceptual basis for the work has become a central focus, driving this collaborative layering process - whilst allowing the work to remain rooted in landscape traditions and the documentation of the farming industry.
Painting:Gouache on Wood
Original:One-of-a-kind Artwork
Size:37.4 W x 37.4 H x 2 D in
Frame:White
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am an artist with an affinity for wilderness, a concern for environment and a need for community. I exhibit extensively, lead collaborative, participatory and development projects and was elected an academician at the Royal West of England Academy of Art in 2016. A persistent curiosity about physical and conceptual relationships with the environment drives my work. Exploring the physical world is central to my practice, examining notions of ‘permanence and impermanence’ and ‘substance and essence’, including human and animal relationships with the environment. I absorb my subject through direct experiences and researched information, often using low-tech video footage as the source and starting point for reprocessing the subject through drawing and painting. From 2013-2016 I jointly undertook a collaborative project called Flock Together, working with fellow academician Debbie Locke RWA to research and create a body of works which interrogate and reinterpret sheep farming activity in the Blackdown Hills AONB in the South West of England. In contrast to the over-saturated, heightened, screen-based reality through which we increasingly experience our environment, my paintings and drawings reclaim the world as a personal encounter of depth and complexity. Painting for me is a necessarily ponderous activity. My gestures and marks speak of authorship and authenticity. My works present a re-enchantment with the world.
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