VIEW IN MY ROOM
María Eugenia Piacentini Veron
Spain
Sculpture, Ceramic on Ceramic
Size: 19 W x 69 H x 21.5 D in
Ships in a Crate
Shipping included
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The right to realise that we are pure conscience is a gift bestowed on us by the universe so that we may evolve to fuse with creation itself. Only that which has existed through our actions, works and thoughts allows us to travel throughout the scattered immortal world and become part of it. The transformation is both ascendant and dazzling, and leaves behind all that does not belong to us, incorporating all that immortalises us in the collective responsibility of knowledge, also by nature immortal.
Original Created:2012
Subjects:Body
Materials:Ceramic
Styles:Fine ArtSurrealismFigurative
Mediums:Ceramic
Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:19 W x 69 H x 21.5 D in
Frame:Not applicable
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Self-taught and broaching a wide range of subjects, Eugenia trained in the La Palma Art School in Madrid and subsequently in the Francisco Alcántara School of Ceramics, having previously worked in a variety of disciplines including special effects. She has exhibited both individually and collectively in Madrid, Valladolid, Coburg, Paris, Singapore and Munich and is currently seeking a window onto the world as a platform through which she can communicate her subconscious messages. She concentrates on ceramics because she feels it is a spontaneous and faithful medium that allows her work to speak for itself, and considers herself as a cultural channel through which the world of ideas and magical expressions can be allowed to flow. The reality in which we live presents itself to her as the undiluted temptation to search for Truth through her work, perhaps in the search for existential doubts with an anthropological bias. Her focus on realism and tension through form is the audacious means by which she hopes to influence her audience. Her work is intended to both create and destroy empathies.
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