VIEW IN MY ROOM
María Eugenia Piacentini Veron
Spain
Sculpture, Ceramic on Ceramic
Size: 22 W x 55 H x 15 D in
Ships in a Crate
Shipping included
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From whatever viewpoint, the piece exudes tension. The tension in the feet, the lower perspective, is the tension that binds them to the land that nurtured them to the point of enslaving them with its own resources. The tension in the heads and hands, the upper perspective, is an infinite gesture that tirelessly attempts to reach our blind eyes and deaf ears in search of a just existence. The overall perspective produces a deliberately distorted representation of the consideration we should be showing towards them. They clamour for more transparent eyes, more forthright hands and more earnest ears.
Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:22 W x 55 H x 15 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Self-taught and broaching a wide range of subjects, Eugenia trained in the La Palma Art School in Madrid and subsequently in the Francisco Alcántara School of Ceramics, having previously worked in a variety of disciplines including special effects. She has exhibited both individually and collectively in Madrid, Valladolid, Coburg, Paris, Singapore and Munich and is currently seeking a window onto the world as a platform through which she can communicate her subconscious messages. She concentrates on ceramics because she feels it is a spontaneous and faithful medium that allows her work to speak for itself, and considers herself as a cultural channel through which the world of ideas and magical expressions can be allowed to flow. The reality in which we live presents itself to her as the undiluted temptation to search for Truth through her work, perhaps in the search for existential doubts with an anthropological bias. Her focus on realism and tension through form is the audacious means by which she hopes to influence her audience. Her work is intended to both create and destroy empathies.
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