VIEW IN MY ROOM
United States
Mixed Media, Oil on Other
Size: 15 W x 22 H x 33 D in
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This work was inspired by my last year writing my thesis for my Masters. This painting/drawing will be published through my school, Pratt Institute in my Thesis. This piece speaks to Attachment Theory and my personal relationship with this theory. I want the viewers to feel The theme, Attachment Theory (Continuum) reflects a continuum of an insecure/avoidant attachment style. It speaks to the space between the objects in my painting. This represents the space I had to give myself. I needed to sit alone and self-reflect on my relationships, so that I could make sense of them. Even though the jeweled fragmented figure is positioned in the background, it is central to the painting. Its stained- glass pieces are animated, alive. The fragmented pieces are beginning to come together. They turn into water feeding a seed that turns into a plant that blooms into a sunflower. The colors on my canvas are bright, alive. They signify how I am in a place where I can give the healthy parts of myself to others. Water is a symbol of life.The formally fragmented figure which represents myself came together as whole, turned into water, and nourished the plants.
Mixed Media:Oil on Other
Original:One-of-a-kind Artwork
Size:15 W x 22 H x 33 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
My name is Salenia Sanchez. I'm 30 years old. I'm a contemporary painter. Currently finished up my last year in Graduate school at Pratt Institute, Brooklyn New York. I am now a working Art Therapist fulfilling my passion/calling in life. I was Born in Bronx, New York. I'm adopted and very blessed. I love shapes, color, and everyday found objects. I love to move vibrating paint as Art has given me the tools and courage to help me co-birth a new language every time I paint or draw. I was 16 when I was uprooted from Florida and transplanted to Tennessee. I found it difficult to ground myself in my new surroundings. I felt alienated from my peers because of our cultural differences. From this emotionally challenging experience, I gained a deeper appreciation for diversity. Due to COVID-19 I was forced back to Tennessee, to an environment that felt like unfinished business. Now, moving back home to Brooklyn NY, I learned a deeper relationship to the natural world using different shapes, textures, and colors. This challenge of adjustment and contemplation soon seeped into my work. My palette naturally evolved to express a more emotional, passionate truth and fear. Beginning with an empty space that argues love and lies, I developed these altered landscapes of introspective and celebratory experiences. The trunk, the branches and twigs of my paintings are reflections of a fictive realm that dwells inside me. The disorganizations of these shapes found in these paintings were a confession of both my doubts and my solutions.
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